Showing posts with label quiltcon. Show all posts
Showing posts with label quiltcon. Show all posts

Tuesday, March 12, 2024

QuiltCon 2024

 A few weeks ago, we attended QuiltCon 2024 in Raleigh, NC.  QuiltCon is the annual convention sponsored by the Modern Quilt Guild.  


There were many wonderful quilts (too many to share here) and we will highlight a few.  You can see lots more on our Facebook page. Here are some of the prize winners.


Anechoic by Janice Reimer of Vancouver, British Columbia, won the MQG Excellence Award.


Cloudy Night Sky by Yvonne Fuchs of Tehachapi, California, won Best Machine Quilting.


Overprint by Betsy Vinegrad of Short Hills, New Jersey, won 1st place in the Windham Artisan Cotton Challenge.


Best in Show winner is Ginny Robinson of Chapel Hil, NC, with What We Will Use as Weapons: A List of School Supplies.


Mulberry Swirl by Kelly Spell of Hixson, Tennessee, won 1st place for Minimalist Design.


Reconceived by Jennifer Candon of Harvard, Massachusetts, won 1st place in the Improvisation category.

These are just as few of the many wonderful quilts at QuiltCon.  You can see all the winners on the Quilt Con website here and more photos on our Facebook page - search PGFiber2Art.



Wednesday, June 3, 2020

What we Missed this Spring and Making it up with Online Learning

Since the pandemic started, we have missed out on some of the planned events Sue and I hoped to attend. First to be canceled was our Virginia Consortium of Quilters March meeting in Williamsburg.  As their program chair it was hard to swallow as a lot of work goes in to setting up a meeting.  Next to be crossed off the calendar was our VCQ biennial quilt retreat at Smith Mountain Lake, following was a class we were to teach at Artistic Artifacts, and then a new adventure at Red Thread Retreat in rural Maryland with Lesley Riley.  No Northern Virginia quilt show and the realization that we would also need to cancel our VCQ August retreat.  Lots of disappointment.  Plans to attend Threads of Success in Houston in late October are likely also squashed.

On the bright side, so many new opportunities have popped up.  Like many of you, we learned how to use Facebook Live and Zoom and found ourselves in Yoga class, Zentangle sessions with Marisela Rumberg, business inspirational/informational meetings as well as frequenting sewing and quilting professional and group pages which were offering lessons or advice online in a live format.  There was also time to learn new things from YouTube and Vimeo videos.  Like many industries with a history of providing service to customers, the crafters and makers of the world have stepped up to make masks to help protect from the spread of the virus while still keeping their creative inspiration active.  Craft and quilt teachers have adapted to the online platform and some may never return to in-person events again which involve a lot of travel, preparation, toting of supplies, etc.

This spring, we witnessed a vibrant and fun Sheep and Wool Festival as they went online in quick order to make a weekend of fun at the fairgrounds turn to fun online.  They even kept right on going when the server stopped working due to overload and rapidly found a fix to stay afloat and continue online still. Yea, to the fiber artists! Quilt shows like the Quilters Unlimited Show in Northern Virginia also went online, QuiltCon, the modern quilt guild show, announced that in Spring 2021 they will be virtual and with 10 months to plan, no doubt they will be able to put on a fantastic show.  Other Quilt conventions are also announcing plans to hold virtual shows and professional quilt and craft teachers are figuring out which type of platform suits them, some will be live, some may be taped.  All will help fill the void we creatives feel in our lives.  If you have an online opportunity you would like to share, feel free to put information about them in the blog comments.

Last Thursday, Elizabeth took a class on ombre dyeing from Cindy Lohbeck on a platform called liveonlinequiltclass  This class was offered as a four hour live class where the students followed along and dyed as Cindy demonstrated.  You could buy a kit and the class as a package or the class alone if you wanted to secure your own materials. Elizabeth opted for the kit since it included a rack which, she felt, was essential to the process.  Since she is also not in Virginia during the quarantine she needed the dyes and fabrics and other pieces of the kit.  It is nice to get it all in one package but also generous of Cindy to offer the course with use of your own supplies.  You booked and paid for the class on the liveonlinequiltingclass.com website; if you needed other supplies later, such as refill dyes, you can buy them on Cindy’s website handsonhanddyes


The morning of the day of the class you are sent a Zoom link and instructions for a phone or tablet app or a computer.  Half an hour before class you sign on so you can work out any tech issues that may arise.  The class was moderated by another teacher who went over the technology and how to use Zoom; such as how to pin the screen so you only saw Cindy and how to use the chat box.  If you had questions you typed them in the chat and the moderator read them so Cindy could answer. Everyone but Cindy and the moderator was on mute. It all went remarkably smooth.  Four hours was long and exhausting but also fun and invigorating to be involved in something creative lead by someone else.

During class we made two Ombres, one in golden yellow and one watermelon dye colors and one color to color piece where you picked two of your remaining dye packets which would be analogous on the color wheel and where one end is purely one color and the other end is purely the other color with blends in between.  It was very special to learn how to create this technique.  If you think it is something you would like, please get on the mailing list for both liveonlinequiltclass and Cindy Lohbeck at Handsonhanddyes.com   The technology was easy and you won’t be disappointed with all the tips, tricks and techniques you will learn.

Here is the work accomplished during class.  The kit included more supplies for four more to do on your own.

Golden Yellow Ombre
 Watermelon Ombre
 Grape to Kingfisher blue blend


Monday, March 6, 2017

Joining Instagram

Last spring we decided to begin some sporadic posts on Instagram to “try it out”.  Hesitant to get involved in another social media platform that might soak up a lot of time, we had a slow start.  However, after going to QuiltCon, put on by the Modern Quilt Guild, it seems that Instagram has some advantages over the other platforms we currently use which are our Facebook page and the blog. 
You can post from Instagram and set it to go to a Facebook account but right now it goes to our personal Facebook pages and not the business page.  Hmm...there is most likely a way to fix that, we just need to figure it out.  Of course, if any of you know how to link it to a business page, we'd love to hear about it.

The Facebook business page also used to let us see more easily what other quilters and business owners were posting on something similar to the news feed on a personal page.  That feed is still there but it is less obvious and so we no longer find ourselves checking it out. So while we could interact with people who followed us, it was not as easy to interact with people we wanted to follow.
With Instagram the wording is short, making it fairly quick and easy to post.  It really is about the visuals (photographs).  You can add hashtags to make posts easily searchable by topic.  Checking the pictures is like scrolling through a photo album instead of reading lots of posts and links and is much less time consuming than blogging.
The uncluttered feel of the Modern Quilt Guild movement definitely supports Instagram’s clear clean messages.  It also feels like Instagram is where the young quilters are getting their support and ideas.  At PGFiber2Art we want to be able to reach out to all types of quilters who would enjoy adding hand printed fabrics to their art.
Currently we are participating in a month long challenge to post daily on Instagram during March.  You can find posts about this challenge called #IGQuiltFest by searching that hashtag.  It is being sponsored by Amy Ellis of @amyscreativeside.
So, if you are inclined to join Instagram or are already there, feel free to follow us at pgfiber2art.  We look forward to interacting with you there.

Friday, March 3, 2017

More About QuiltCon

The Savannah Convention Center is located on an island in the Savannah River.  Since all but one hotel are located across the river, there is a free ferry that takes you back and forth.  It runs all day at 20 minute intervals.
Actually, there are several boats that are rotated.  The trip across the river only takes about 5 minutes.
Here is an outside view of the convention center.
And from the convention center looking across at River Street with the dome of the city hall in the background.
This sign in the lobby was amusing.
A clear sign that quilting is thriving in the 21st century.
Each year, Robert Kaufman creates a new Kona Cotton color of the year, which is produced that year and then retired.  In 2016 it was Highlight, a bright yellow, which was used in quilts by some of the industries leading quilters.  A 4 panel display showcased over 60 quilts using this color.
Here's a peak at one of the vendor booths, this is the one where we found the pop-up we had made with Windham fabrics and one of our screens.

Another of the prize winning quilts that didn't make it into yesterday's post is Vertigo, by Elaine Poplin of Huntsville, AL.  It won 3rd place in the Piecing category.
This was an interesting quilt - made of woven strips with the blocks joined after completion so that it is completely reversible.  Careful planning and color placement required!
Andover fabrics was one of the vendor booths that had their fabric lines displayed and offered daily activities.  On Friday we did some block printing, and Saturday they provided materials to make squares for charity quilts.  Other vendors had demos and make-and-takes, so there were many interactive things going on.


Thursday, March 2, 2017

QuiltCon 2017

QuiltCon, presented by the Modern Quilt Guild, is a smaller show than other national shows like Mid-Atlantic that we are used to going to, with a different vibe.  It felt fresher, younger (though all ages were in attendance), energized.  The vendor section included booths for some fabric, notion and thread companies (though they weren't selling), adding a bit of a trade show feel.  Education was also a big part of the conference - there were workshops and lectures with over 40 instructors.  Topics seemed to be more technique than project oriented.  It was good to be exposed to another aspect of quilting and a new group of vendors.  We took in 2 lectures on Saturday, one on printing fabric and another on social media, both topics that probably would not be addressed at a traditional show. Another obvious difference was the use of technology - a podcast booth, live Facebook streaming, and electronic boards that showcased ongoing video of participants and twitter comments.  All very 21st century!  There were so many wonderful quilts, its very hard to choose which ones to share.  We hope you enjoy these selections!
Bling by Katherine Jones won Best of Show.  Katherine is from Tasmania, Australia.  Her foundation pieced quilt is based on a princess cut diamond.
Not Easy Being Green is by Mary Keasler of Chattanooga, Tennessee.  It won the Best Machine Quilting award.
Kathy York of Austin, Texas, created Boulder Field. It was entered in the pieced category.  Sue loved the retro feel of this quilt, it reminded her of the mid-century modern style.
Finding the One is by Miriam Coffey of Lake Junaluska, NC, also in the Piecing category.
This quilt called Blades is by Jessica Levitt of Bridgewater, NJ, another in the Piecing category.  Enlarge for a closer look at the quilting.
Smoke is another quilt by Katherine Jones, winner of the Best of Show quilt. (She was a busy lady!) This was in the Minimalist Design category.
Yoshiko II is an Improvisational quilt by Marilyn Farquhar of Heidelberg, Ontario, Canada.
Lincoln took 1st place in the Improvisational category.  It is by Kim Saper of Huntington, NY.
Still With Her is a Judge's Choice winner, made by Liz Harvatine of Burbank, CA.
Lindsey Neill of Chandler, Arizona, created Die Beem (Trees) in the Use of Negative Space category.
The first place winner in the Applique category was Susan Bleiweiss of Pepperell, MA with Inside Out.  This was a departure from her usual work which is very bright and colorful.

We encourage you to click on any of these pictures and enlarge them to get a closer look at the quilting.  Some are just spectacular!

Wednesday, March 1, 2017

Savannah

Ah, Savannah...where to start?  We had a grand time at QuiltCon and touring Savannah.  The weather was perfect and the city delightful.  I guess the easiest way to share our experience is chronological.  We arrived around noon on Thursday and checked into our hotel.  We had decided ahead of time that we would spend  Friday and Saturday at QuiltCon, and use the rest of the time for sightseeing.  So after some lunch and a visit to the concierge to inquire about tickets for the trolley tour, we set off to explore. 
Old Town Trolley tours took us all around the historic city - there are 15 stops where you can hop on and off the trolley for sightseeing.  They stop every 15 minutes up until 5 PM, so it is easy to take in the sights you want to see.  Our focus this day was the birthplace of Juliet Gordon Low, founder of the Girl Scouts.  This was a bucket list site for Elizabeth, so we went for the tour, and just rode the trolley the rest of the route to get a "lay of the land".

The tour was very educational - we learned a lot about Savannah and its history. The Cotton Exchange building below was completed in 1887 when Savannah ranked first in Atlantic cotton seaports and 2nd in the world.  Cotton prices for the world were set here.  Over 2 million bales a year moved through Savannah!
The Cotton Exchange and other buildings known as Factor's Row are built above River St. where the ships came into port.  Consequently there are numerous stairways and cobblestone streets down to the lower level, as you can see in the picture of the steps below.
We enjoyed exploring the shops and restaurants along River Street as well.  All these buildings were originally warehouses that were abandoned.  They were renovated in the late 20th century to create the  lively atmosphere that exists today.

Since the weather was so unusually warm, the azaleas and other flowers were blooming, and the live oaks with their Spanish moss create an otherworldly effect.
It's a wonderful city with so much to see that it begs for another visit!

Wednesday, February 22, 2017

Heading to Savannah

On Thursday Sue and Elizabeth are heading to QuiltCon east, presented by the Modern Quilt Guild and being held in Savannah, GA.  Usually at this time of year we are off to Hampton, VA for the Mid-Atlantic Quilt Festival.  But after so many years of the same quilt show, we decided it was time for something different, and made arrangements to attend QuiltCon instead. 
Like MAQF, there is a quilt show/competition, vendors, workshops and lectures.  We are not registered for any workshops, but plan to take in a few lectures.  We will arrive mid-day Thursday and plan to spend Friday and Saturday at the show.  That will leave Thursday afternoon and Sunday for sightseeing around Savannah, and then return home Monday.  Neither of us has ever been to Savannah, so this is a new adventure for us.  We look forward to seeing some of the historic sights in Savannah, including the Juliet Gordon Low birthplace.  Old Town Trolley Tours has several packaged tours, or you can pick and choose the things you want to see.  Downtown Savannah is home to one of the largest National Historic Landmark Districts in the US.

Stay tuned to hear more about our adventures at QuiltCon and in Savannah!

Tuesday, October 11, 2016

Best of QuiltCon 2016

QuiltCon is the annual conference and show of the Modern Quilt Guild.  This special exhibit at Sew Expo featured the best of modern quilters today, and includes the 2016 Best of Show quilt.  The Modern Quilt Guild began as an online community and developed into in-person guilds in 2009.  Now there are over 170 guilds around the world.  You can find out more about them at themodernquiltguild.com.
Fossil by Nancy Purvis.  Category - Minimalist Design  The artist chose to focus on asymmetrical shapes and triangles.
Cut & Keep by Gina Pina  Category - Applique  The applique pieces are placed between the top and batting, and the dashed lines indicate "break in case of emergency" and use the pieces as desired.
My Brother's Jeans by Melissa Averinos  Category - Improvisation  This was the Best in Show quilt.  The denim used to make the crosses is from the maker's brother's work jeans; he committed suicide in 2009.  In the background are gold and white crosses, and the grid quilting echoes the crosses and reflects his occupation as a tile installer. (Note: the black line is the ribbon in front of the display, not part of the quilt.)
Echoes by Leanne Chahley  Category - Use of Negative Space
Release the Geese II by Sarah Bond (piecing) and Carol Heisler (quilting)  Category - Modern Traditionalism (Again, the black line is ribbon, not part of the quilt.)
Twisted Sisters  by a Group (too many to name)  Category - Group or Bee Quilt  This took 3rd place in the Group Quilts.  It is an interpretation of the game Twister.
Flounce by Melanie Tuazon  Category - Modern Traditonalism  It is inspired by the architecture of the Eastern hemisphere.