Scottish Teasels

Sue's "Fiber Visions" art quilt group recently issued a challenge to create a small art quilt based on a photograph.  Options were varied:  print the original photo on fabric and embellish it in some way, recreate the photo using any techniques desired, use the photo as inspiration for your design, or interpret the photo in some other way.  Sue chose to work with the photo below from her spring trip to Scotland. These teasels (a type of thistle) were photographed in the gardens of the governor's palace in the village of Culross.  For any Outlander fans, Culross is a 17th century village used to represent the village of Crainsmuir in the Starz drama.  A number of scenes were filmed in various rooms of the palace.   

Sue chose to recreate the photo as closely as possible, making a 9 x 12 version and mounting it on an artist's canvas.  The idea behind the photo was to create a Thermofax screen of the teasels, which was already in process when the challenge was issued.  So that meant deciding on the techniques for the background of the piece.  First was to find fabric for the gold of the wall and the texture of the stones.

On the left is the commercial fabric used for the background.  The texture was right, but the color was not, so golden pineapple paint by Profab was sponge painted over it to change the color.

Likewise, the fabric used for the rocks needed to be a bit darker so both gray and black were sponge painted over the original.

Starting on a base of muslin that was cut 3 inches bigger than the 9 x 12 finished size, the upper portion was layered with the gold and the lower part was layered with black, so that the space showing between the rocks of the wall would be dark.  A printout of the photo was used to create a template for the rock wall section.  After applying a fusible product to the fabrics, the pieces were cut out and fused to the background.   Adding a thin layer of felt as batting, free motion machine stitching was added to secure the rocks and create texture for the moss and tree branch.  Then the teasels could be added.

The teasels were also done as fusible applique, printed first on a brown fabric, then fusible applied and cut out.  The green leaves are also applique and were arranged at the same time as the teasels.  Since the extra fabric would be folded around the canvas, there was no need to extend the rocks beyond the 9 x 12 image size.  Additional stitching secured the teasels and leaves and added the curlicues and texture to the screen prints. Then the piece was mounted on the canvas.

On the left is the original photo and the art piece on the right.  Not an exact duplicate, but a close interpretation.  Sue is pleased with the result and plans to put it in a black drop-in frame that should set it off nicely.   

The teasels is a new Thermofax screen that you can find in our Etsy shop if you would like to use it in your own artwork.

Quilt Camp Day 8

We are winding down and not starting anything that can't be finished in a day as Sue is preparing to leave on Friday.  :(

Today we did more washing out of fabric batching in dye, a bit more cyanotype, and worked on some PGFiber2Art "business" stuff.  Also, we have some pictures to share that didn't make it into yesterday's post.  Sue did a re-dip of some of her "ugly" fabrics in the indigo pot.  Both of the pieces below were originally a gold/brown fabric that Sue posted a few days ago.  The first indigo treatment helped, but they still needed more, so this is what they look like after the second dip in the indigo pot.

The piece below is one that originally looked like a cow - brown with white spots!  If you go back to Day 6, you can see the original fabric and what it looked like after the first dip in indigo.  In the piece below, the circles along the edges came out clearly the first time, but the rest was still blah.  So Sue cut off the circles and refolded the center for another dip.  Below you can see what it looks like now.  Much improved!  And how it would look with the circle strips placed beside it.

 

Another technique tried today was cyanotype printing on notecards.  The chemical solution was applied to notecards with a bristle brush, allowed to dry, and then printed with plant material.  Even though it was a cloudy day, the process worked well.

Elizabeth printed two small cyanotypes on fabric, a dill blossom and another with goldenrod and broccoli seed pods.

A new screen soon to be in the Etsy shop is birch bark.  Here it is, printed with Color Magnet and then dyed in avocado green and black (which was old dye and turned purplish).  It will be a nice addition for those who need a screen to add texture to your fabrics and designs.  It could also be printed with paint, it doesn't have to be Color Magnet. If you have a photo you think would make a good textural screen, contact us at pgfiber2art.gmail.com or through the Etsy shop. 

The day ended with rain and an amazing sunset, even while it was raining!

Quilt Camp Day 6

We were saying to each other today that it doesn't seem like we get as much done these days as we once did!  What's up with that?

If our math is right, this is the tenth time we have had quilt camp.  The number of years is higher  because we had a few years when we couldn't get together.  Probably somewhere around 14 years we have come to the garage here at Merrymount on the shores of Lake Winnipesaukee to stir our creative juices and work on our business selling Thermofax screens through Etsy and promoting them on social media.

Today Elizabeth rinsed out the excess dye from this lovely vine flower Thermofax screen done with Color Magnet and Coral MX dye.

And her pole dyed piece.  Not sure why this year the white lines from the string isn't as prominent.  Perhaps oversoaked, not wound and scrunched tightly enough or too few layers on the pole.  It is still ok, just a faint glimpse of texture.

You saw a sneak peek at Molly's new shirt the other day on the blog but not the vine flower around the hemline.  The t-shirt was first screened with the design using Color Magnet, left to dry and then ice dyed.

Elizabeth also screened this hand drawn ginkgo leaf, onto a long piece of previously dyed fabric, using a blue acrylic fabric paint which sparkles just the slightest amount.

And this green piece was screened with a new screen made from a photo of birch bark.

Sue has some pieces that didn't get included in yesterday's post.  One is this piece of rusted fabric that was folded and dipped in the indigo pot.

In an effort to make some ugly fabrics more palatable, they were also dipped in the indigo pot.  The left photo is "before", the right photo is "after".  A small step in the right direction.  Looks like another dip in the indigo pot is called for!

We didn't have much sun today, but there was enough to put out a quick sun print with some stencils.

The best ending to the day was that Bob drove us to Wolfeboro and treated us to an ice cream at Bailey's Bubble.

Quilt Camp Day 4

Day 4 of quilt camp - it was a cool, cloudy day so not the best for sun printing.  We did some more shibori/indigo dye of the pieces prepared yesterday, and washed out some other dyed pieces.  Below are: left, Sue's pieces after one dip in the indigo pot; top right, Elizabeth dipping one of her pieces; bottom right, pieces awaiting a second dip in the pot.

Below, Sue's pieces after rinsing.  Top left is a rust dyed piece (not from the indigo pot); the other 3 photos show the pieces she dyed today.  The 2 stripey ones were wrapped around poles.  The one with the light background was a triangle fold with plexiglass circles clamped over the corners.  The one with the light blue circles were made with buttons that were rubber banded into the cloth - the rubber bands served as a resist to create the circles.

Elizabeth decided to experiment in the indigo pot with some fabrics which were less than successful from other dye projects and see if they could be improved upon.  Here are some as she unwrapped them.  The pink and mottled green were clamped with wooden blocks and the lime green was folded like a flag.

Below is the bottom piece of fabric (from above-the one with the circles) on the right side after unfolding and the remainder of the "less than successful fabric" is what it looked like before the indigo pot.  

She also overdyed a piece of rusted fabric with the spiderweb pattern and is quite happy with the results.

This set of pictures shows Sue's dyed/washed fabrics.  Top left is spring green; before dyeing, the fabric was printed with a birch bark Thermofax screen using Color Magnet which is a dye attractant, creating the textured pattern.  Top right is a piece dyed with a color called parakeet.  The bottom 2 are the same piece of fabric.  This was dyed with "new black".  To give it some texture, Sue used a discharge product called deColourant to remove some color through a Thermofax screen - this was also a birch bark screen, though a different one than on the green fabric.  Click on the photo for a better view.

With some new screens for playing Elizabeth decided to see what they might look like if they were screened on white fabric with Color Magnet and then dyed.  We will reveal them later in the week.

Elizabeth set out a piece of fabric prepared for Cyanotype.  As the day was cloudy, she used the wet cyanotype method and first spritzed the fabric with a solution of vinegar and water.  The white areas you see are actually the reflection of the sky and the darker areas are the shadow from a tree.  It will be interesting to see what happens after 24 hours of exposure.